Showing posts with label Beach Boys. Show all posts
Showing posts with label Beach Boys. Show all posts

Wednesday, 8 December 2010

LISTEN: Nightlands - Suzerain (A Letter to the Judge)


Nightlands - Suzerain (A Letter to the Judge) from Mark Schoneveld on Vimeo.


Just discovered this over on Trippin Through The Dew and loved it on the first listen. Time to head over to his bandcamp and listen to the other tracks available from the album, 'Forget the Mantra.'
"Nightlands is the recording project of Philadelphia-based multi-instrumentalist Dave Hartley. The music he creates in his bedroom is itself a bed of delicate, chiming strings and bubbling synths beneath a blanket of choral vocal arrangements. It's dreamy in the literal sense -- the seeds for the album were sown when Hartley began archiving musical ideas that occurred in his sleep with a simple bedside tape recorder. As a result his debut album Forget the Mantra is, in essence, a field recording of Hartley's dreams -- a travel journal through pop music and a collection of psych-hymns from the first human lunar colony. The songs sound both huge and intimate, breathy and cavernous like massive echoes of a faraway concert. It's the big, shadow music from just across the lake.
The album deals with themes of anxiety, fear and the limits of concentration. Therein, it mines Hartley's personal history as often as it does influences The Beach Boys, The Traveling Wilburys and Hawkwind. Side A pulses with layers of tom tom drums on wide-open standout slow jam "300 Clouds" and nimbly-picked acoustic melodies on "Suzerain (A Letter to the Judge)," like Crosby, Stills & Nash gone comsic-kraut. The songs roll and gallop then stop to breathe, always exhaling with what sounds like a thousand voices. Through its experimental back half -- reminiscent of Bowie's Low or Kate Bush's "The Ninth Wave" from Hounds of Love -- full of vocal samples from Hartley's real life, the more pop-leaning front end is given greater context, like a close study of a plant's blossom before traveling down through its root architecture.
Hartley, who for years has been a prolific sideman in many Philadelphia ensembles (most notably The War on Drugs), laid these songs to tape on a Tascam 388 insularly over several months, inviting friends along for feedback and ultimately, some additional tracking."
via Secretly Canadian

Sunday, 5 December 2010

LISTEN: Music For Your Plants




I woke up this morning to find it snowing again and the roads and pavements hidden once again. I also woke up to find an e-mail labelled 'some plant music' and a short message that included a mediafire link to their new self-released, self-titled EP and a link to the band's Soundcloud page. 


"We are a threesome voyage expedition adventure band from tallinn, estonia."


The band label themselves as playing "tropical, lo-fi, instrumental" music and whist that isn't too far off, they incorporate a whole load of other influences and sounds. In places they remind of 60s elevator music ('Agave Americana'), in others Dam-Funk ('Dr Mudawi') and others Ducktails and Dick Dale ('Enchanted Sister') and even At The Drive-In (Listen to 'Mr. Huanted'). Tropical Acid Surf Music complete with the sounds of the ocean and birds.

Be sure to also check out this interview with the band over at Ashtapes.



Sunday, 24 October 2010

LISTEN: The Beach Boys Meets Grateful Dead






Two of my favourite bands of all-time playing live together at the Fillmore East in 1971. Incredible stuff!

Listen to the full show online here.


On April 27, 1971, The Grateful Dead played the Fillmore East in New York, and put on what I consider to be one of the greatest shows they did that entire year. In fact, the First Set recording of Bertha was the one used on their Skullfuck live album. (Overall, Im generally a 77 man, myself, although 1974 was also a good year.)


But the real keen thing that happened on April 27 was the encore set, where the kings of the three-minute surfpop tune, The Beach Boys, came out and joined with the stoner jamband heroes. The encore set began with the classics Searchin and Riot in Cell Block #9, with the two bands playing together. Then the Dead stepped away and allowed the Beach Boys to play solo, which they did, on their two hits, Good Vibrations and I Get Around. Six minutes must have been just enough time to beam up, because the Dead came back, ready to jam on the Merle Haggard classic, Okie From Muskogee, and finally on the Chuck Berry classic, Johnny B. Goode.

Text via Dead Tix

Tuesday, 18 May 2010

Avi Buffalo - Avi Buffalo (2010)

 
The Shins. The Byrds. Neil Young. Band of Horses. Daniel Johnston. Mark Linkous. Johnny Marr. Tortoise. Fleet Foxes. Mercury Rev. Flaming Lips. Love. Syd Barrett. Beach Boys. Weezer. Joanna Newsom. Wilco. Built to Spill. Deerhoof.

I'm just over half way through my first listen of Avi Buffalo's deut album for Sub Pop and was reading through a number of reviews I found through metacritic and thought I'd compile a list of artists mentioned during the reviews. Avi Buffalo don't necessarily sound exactly like any of the above bands, but take various elements from each and you've got Avi Buffalo. Whatever the comparisons may be, this is a summer album and is full of sweet melodies and sunshine guitar licks and makes me wish I was in California, kicking back with a Corona. I'm still only on my first listen and whether or not it'll be a favourite of the year, it's probably too early to say, but I do know this will get some serious playtime over the coming weeks. RYM has it at 3.27, whilst the critics have been much more generous, with a score of 81 on metacritic. The obvious stand out for me is the insanely catchy 'What's In It For?', which you can watch the video for and download below, as well as 'Remember Last Time.'

Avi Buffalo - Remember Last Time

Avi Buffalo - What's In It For?

Monday, 26 April 2010

A SPOTIFY PLAYLIST: Forty-Two Songs to Fika to


"Fika, a social institution in Sweden, is both verb and noun in Swedish and has a broad definition. Essentially, it refers to a break from one's activities in order to drink coffee or other drinks with friends, family or acquaintances. This tradition of a coffee break with a snack is central to Swedish culture, and Swedes are one of the world's top coffee consumers."

The mix includes tracks from David Crosby, Neil Young, The Beach Boys, The Zombies, Real Estate, Devendra Banhart, The Brian Jonestown Massacre, Fred Neil, Traffic, John Phillips, Kurt Vile, Old 97's, The Byrds, The Flying Burrito Brothers, Grateful Dead, The Felice Brothers, The Strange Boys and many more.

Invite some friends over, stick this on and fika Swedish style. Perfect for a lazy Sunday afternoon.

Monday, 7 December 2009

Christmas Time Is Here mix

Following on from the previous post, here's a little Christmas playlist for Spotify featuring some obvious and some not so obvious Christmas songs to get you in the festive spirit!


ENJOY!!


Christmas Time Is Here micromix

Friday, 4 December 2009

Feel The Warmth December micromix

Here's a little mix I made on Spotify:


Feel the Warmth December micromix


01 The Delfonics - Delfonics Theme
02 The Intruders - (We'll Be) United
03 Leonard Cohen - Memories
04 The Honeycombs - Have i The Right
05 Moby Grape - 8:05
06 Love - Dream
07 The West Coast Pop Art Experimental Band - I Won't Hurt You
08 The Beach Boys - Forever
09 The Byrds - Goin' Back
10 - The 13th Floor Elevators - Splash 1
11 Alexander 'Skip' Spence - Little Hands
12 Tim Buckley - Song To The Siren
13 Jefferson Airplane - Today
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